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November 11, 2010
AboveNet Expands High Bandwidth Services Portfolio in London
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November 8, 2010
AboveNet Connects with CENX to Expand High Bandwidth Network
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September 20, 2010
AboveNet Expands to key European Markets
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June 16, 2010
AboveNet's secure fibre network connects to London's Telehouse West data centre
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June 7, 2010
AboveNet Expands Metro Portfolio with Launch of Core Wave Services
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An introverted high school oakley fuel cell carbon camo misfit, portrayed by Christian Slater, lived a secret life as the ribald but erudite DJ of a pirate radio station. But as the New York Times' review of the Canadian director Allan Moyle's movie noted, the film really focused upon a major Xer malaise: "what a poor younger generation to do when the traditional modes of teen age rebellion sex, drugs and radical politics have already been used up by its elders?" The movie heightens the generational conflict by portraying Boomer sell outs as the oppressors of then youthful Xers. Director Richard Linklater's film about eccentric Austin denizens who belong to various bizarre subcultures from a man claiming to be an alien abductee to a woman trying to sell what she claims is a medical test specimen from Madonna specifically about Generation Xers. But it might as well have been, since it so deftly captures the bemused, detached worldview of a generation that thought its predecessors took themselves way too seriously. And the term "slacker," was the derogatory stereotype of Xers as a low ambition generation one that Xers adopted themselves with perverse pride. This movie told the stories of four Xers a directionless former college valedictorian (Winona Ryder), a promiscuous shop clerk (Janeane Garafolo), a striving yuppie (Ben Stiller, who also directed) and a slacker musician (Ethan Hawke) who were struggling to find a raison d at a confusing moment in time. This is another film by "Slacker" director Richard Linklater that deals with Xer themes. Oddly, the late critic Roger Ebert praised the romantic story of two Xers, who meet on a train and spend a night together in Vienna filled with clever conversation and heartfelt confessions, because he saw Jesse (portrayed by Ethan Hawke) and Celine (Julie Delpy) being atypical of their generation, "and especially outside its boring insistence upon being bored." It could be, though, that Linklater simply was trying to shatter that stereotype. This male Xer coming of age story is a fascinating peek into 1990s Lad culture, that long extinct milieu of twenty something boy men who read Maxim and Details, sipped martinis, and strived to be fashionably casual and cool, even as they clung to one another in a group in an effort to avoid committing themselves to Xer women. Stars Vince Vaughn and Jon Favreau, who also wrote the screenplay, speak in a oakley fuel cell clear faux hip lingo "You're so money!" is their mantra that seems painfully dated today, because it so perfectly captured that period in time. Generation X sometimes has been called the "Medication Generation," because it was the first generation for which psychiatrists prescribed antidepressants on a wide basis. Nevertheless, it's a valuable film for understanding Xers, in that it vividly depicts the chemically altered existential angst that had a profound impact on so many lives.

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